Demo Studio · for a product

The $10,000 product film. In an afternoon.

Drop in the code and our AI agents take it from there. Mira reads every route, screen and doc, writes the screenplay from what the product does, and shoots it on the real screens. Software, explained to people who don’t read code.

Watch the film Your first 30-second video is free.
From your repo{{ hp.demoMeta }}
{{ st.mark }}{{ st.label }}{{ st.meta }}
M{{ hp.demoSays }}
{{ filmTitle }}{{ filmNote }}
{{ durText }}
From the code

Every line traces to the repo.

No brief, no invented features. Mira reads the source, writes each beat as a claim with a citation, and the crew shoots the screen that proves it. Hover a file.

What she read · 1,680 files
Beat {{ b.n }} · {{ b.title }}{{ b.job }}{{ b.secs }}s
"{{ b.claim }}"
✓cited · {{ b.cite }}
M{{ b.mark.icon }}{{ b.mark.badge }}
{{ b.route }}populated · Maya's store
{{ b.screenTitle }}{{ b.screenMeta }}
{{ r.t }}{{ r.v }}
M{{ b.shotMark.icon }}{{ b.shotMark.badge }} {{ b.shotWho }} {{ b.shotLine }}
Beat {{ b.n }} · {{ b.title }}{{ b.job }}{{ b.secs }}s
“{{ b.claim }}”
M{{ b.mark.icon }}cited · {{ b.cite }}
Populated, never emptyEvery screen is filled as one real customer's business — a queue with history, money moving — so the product looks used, not launched.
Timed to the voiceVoz reads at your pace; every beat is banded to it. A line that runs long is flagged, never truncated.
Recut by the beatClick any chapter of the finished film and give a note. Mira recuts that beat, not the film.
The wizard

Repo to release. Two decisions are yours.

Felix — "Your first Tuesday" · dp_felix_tuesday
Orchestra
{{ w.status }}
{{ w.title }}{{ w.meta }}
GITOrchestra-AI-Video / agent-felix-frontend · main{{ ingestState }}
GITOrchestra-AI-Video / agent-felix · main{{ ingestState }}
✓{{ r.t }}{{ r.n }}
Surfaces41
Nav items24
Routes60
Too big for one film. Five candidates — pick the story.
{{ c.title }}{{ c.surface }}{{ c.kind }}
Maya Reyes, 38 · Human Food BarRecommended
StoreProtein bars, DTC on WooCommerce + Stripe. Year four.Size~184 orders a day · $2.1M trailing · 4,600 subscribers.Hurts"Revenue's up 30%, and so is headcount."
Built from the repo's persona docs and order model. Every screen in the film is populated as her store.
11 beats · 1 silentruntime 3:04
{{ b.n }}. {{ b.title }}{{ b.job }}{{ b.secs }}s{{ b.status }}
Hear: "{{ b.claim }}"
{{ assetsNote }}
{{ a.name }}{{ a.tag }}
{{ a.reason }}
A presenterRecommended
You, a colleague, or an AI actor. One photo and twenty seconds of voice; The Set shoots the beats.
Product onlyNarrated over the real screens. No presenter.
The one photo
One photo → four to-camera beats. Eli locked identity · Theo framed · Lola kept the charcoal knit.
Narrator · your voicemeasured 15.96 chars/s
{{ c.n }}{{ c.title }}{{ c.dur }}s
Felix — Your first Tuesday{{ filmClock }} / 3:04
{{ l.title }}{{ l.price }}
Make it yours · $36.00
M {{ w.says }}
{{ w.route }}{{ w.status }}
{{ w.title }}{{ w.meta }}
{{ r.title }}{{ r.sub }}{{ r.tag }}
M{{ w.says }}
{{ mobFoot }}
While it renders

You can watch the crew work. Most people do.

Every scene shows its pipeline — screenplay, art direction, photography, sound — and the log says who is doing what, and why. Nothing is a spinner.

Orchestra
A project page: ten of ten scenes complete, Scene 1 with its six-stage production pipeline, visual theme, final video and soundscape; on the right the Production Activity and Forensics logs with timestamps
M{{ fTheo.icon }}Theo writes the visual theme per scene — lens, light, wardrobe, mood — before a frame renders. You read it; he explains it.
M{{ fMira.icon }}Mira keeps the Production Activity log: every decision, timestamped, in plain English. The Forensics log is the same thing for engineers.
M{{ fMo.icon }}Mo hands you raw take, final take and soundscape per scene. Regenerate one, rescore all, or open the cut.
Why tech companies

One for every feature. Now affordable.

A product film used to cost a crew, weeks, and your engineers' time. At an afternoon and a few hundred dollars, the launch gets one — so does the next feature.

Demo Studio · Felix4 films · Q3
{{ f.title }}{{ f.meta }} {{ f.dur }} {{ f.price }}{{ f.status }}
Four films, one quarter$800.00 · about two afternoons
The crew in Demo Studio

Same crew. One new job: reading your code.

Demo Studio adds research and compositing to the floor — Iris and Kai — and hands the on-camera beats to The Set. Everyone else you've met.

M{{ a.icon }}{{ a.badge }}
{{ a.name }}{{ a.role }}
{{ a.verb }} {{ a.text }}
Pricing

Priced by the finished minute.

One rate for the whole film — screenplay, crew, score, cut. You pay for the artifact, never for scenes, tokens, or render time.

Your first 30 seconds are free — your choice: a standalone commercial in The Set, or 30 seconds of credit toward your Demo Studio film. Demo Studio films start at 2 minutes, $100 per finished minute, prorated by the second.

The rate
$100per finished minute
2-minute minimum · prorated by the second
Love it or a full refund
2:00 → $2002-minute minimum
2:30 → $250Prorated by the second
3:00 → $300A launch film
Every second bills the same — a 2:37 film is $261.67.
Your film — one price A production company — itemized
In your filmScreenplayWritten from your repo, in your voice
Production company$2,000–$5,000Scriptwriter + revision rounds
In your filmPersona castingThree headshots — your pick, in the opening scene
Production company$1,500–$3,000Casting + actor fee — or your own person, pulled off their job
In your filmOn-camera shootShot, lit, directed
Production company$3,000–$8,000Crew day + studio or on-site location + gear
In your filmVoiceoverA real voice carrying the story
Production company$500–$1,500Directed voice session
In your filmScoreComposed for the film
Production company$500–$2,000Music license or composer
In your filmEdit, color, captionsCut the same afternoon
Production company$2,000–$5,000Post house — often a second company entirely
In your filmRevisionsSame afternoon, no change orders
Production companyPer roundBilled per round, scheduled per availability
In your film$300Paid upfront — love it or a full refund
Production company$10,000+Itemized, invoiced separately — and weeks of your calendar
The itemized alternative
A production company invoices every line.
Casting, the shoot, the edit — each one a separate vendor, a separate invoice, a separate scheduling thread.
ScreenplayScriptwriter + revision rounds
$2–5K
Persona castingCasting + actor fee — or your own person, pulled off their job
$1.5–3K
On-camera shootCrew day + studio or on-site location + gear
$3–8K
VoiceoverDirected voice session
$0.5–1.5K
ScoreMusic license or composer
$0.5–2K
Edit, color, captionsPost house — often a second company entirely
$2–5K
RevisionsBilled per round, scheduled per availability
Per round
Total — plus weeks of your calendar $10,000+
Your film: every line above. $300. One price, paid upfront — love it or a full refund.

Most of a $10,000 production. For $300.

A production company charges $10,000+, itemizes every line above separately, takes weeks — and needs your engineers on call. This is most of that quality in an afternoon: one price, paid upfront, love it or a full refund, repeatable for every feature you ship.

Start your film
WHAT ONE FILM BURNS

One film, built in twenty seconds. Watch the meter.

01INGEST — the repo, collected
TOKENS BUDGETED0

Your film is cheap.
Making it isn’t.

MODEL CALLS
Dozens
≈29 language calls — plus voice, music, image & video generation
TOKENS BUDGETED
2.5M
the ceiling per film — measured films run in the hundreds of thousands
OUTSIDE THE TOKEN COUNT
VOICE per character  ·  MUSIC per second  ·  IMAGES per image  ·  VIDEO 2 Set scenes  ·  RENDER compute
Revisions re-burn. A recut re-composes, re-records, re-scores, re-renders — more calls, more tokens. Never one-and-done.